With a very busy weekend ahead of them the Melbourne Staff Songsters with their leader Brian Hogg arrived at the Ringwood Salvation Army on Saturday afternoon 1st May for a sound check and rehearsal with their guests for the evening, the Melbourne String Octet (Neville Philpot) and the Salvo Brass Sextet (Paul Smith).
As concert goers started to file in, the artists hurriedly assembled in to the rear hall to quickly eat tea (oh the indigestion!) and prepare for the concert.
The evening commenced wit the Staff Songsters presenting the thrilling Dick and Mel Tunney number 'All Creation Sings". The timpani and brass accompaniment from the Salvo Brass Sextet added a certain brilliance to the number.
Following a prayer, the MSS sang the well known Rutter piece 'For the Beauty of the Earth'. The String Octet added accompaniment to this piece giving it a lovely fullness. The String Octet came to the stage and presented the 1st and 4th Movements of Mendelssohn's Concirdo. A string group is a rare sight in Salvation Army Halss as the Army's history is more accustomed to traditional brass bands. While the string octet played, the audience were openly entrhalled with this talented group and responded appropriately with their applause.
The Brass Sextet followed with the majestic 'Procession of the Nobles'. This group was composed of six of the Army's finest brass players and they thrilled the audience with their brilliance. The group connected well with the audience by performing pieces that were well known and loved. Their numbers included Bach's 'Air' from Suite in D, 'Thaxted" (I Vow to Thee my Country) from Gustav Holst's 'The Planets"(Jupiter)and Mozart's "Eine Kleine Nachtmusic" (1st Movement).
The String Octect reminded the audience of some of the popular classical pieces by including Movements 2 and 3 from the Brandenburg Concert, the haunting Gabriel's Oboe as a Viola solo and Vittono Monti's 'Czardis'.
The MSS showed their versatility as they moved through the evening singing negro spirituals, traditional army classics and contemporary music. They also featured male and female vocal numbers.
The group was outstanding in their presentation of Duane Blakley's 'Let all the World in Every Corner Sing'. The challenging time changes from 8/8 to 10/8 then 5/8 to 9/8 and 3/4 throughout the pieces showed the technical skills of this talented group and their leader as they mastered not only the musical time changes but also captured the brilliance of the required style.
Concert goes were left the with strains of the magnificent piece "Our God is God" contrasted with John Rutter's anthem "The Lord Bless You and Keep You" with voice and strings which the group used as a benediction.
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